Marie Doria : "Passes, 1996"
Choreographic installation of thirty-five alugraphic panels

Photography is for me a manner of apprehending a tempo (a musical notation which is not defined in an absolute manner), to set forward a reciprocity as a possible disclosure.

The co-existence of the images between them pieces create surreptitiously an immobile fiction of free narrations.

The format intervenes in a determined manner, as scale, the image apprehends itself corporally, where there is question of gestual and Eros.