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n 1999, Babeth Djian — fashion editor and avant-garde stylist — founded Numéro, a Parisian magazine now famous for its unique and bold aesthetic combining fashion and contemporary art. From the first issue, then very regularly, Babeth gives Guido Mocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunity to create immutable and provocative still lifes the major genres
in photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him to give free rein to his imagination, to offer an offbeat, critical look at our contemporary world made of vanity.