A book-length essay about photography’s unique ability to ease the ache of human mortality.
Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately–in one main essay and a series of lively digressions–that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality.
Printed in three colors that reflect the various « voices » of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.
10.8 x 17.8 cm
